Monday, March 3, 2014
Women's history month - how did women experience the Holocaust?
In honor of Women's History month, in March MCHE features six female survivors- Judy Jacobs, Sonia Golad, Ida Loeffler, Erika Mandler, Bronia Roslawowski and Mania Weindling. Visit us at www.mchekc.org/survivors to read these and other profiles of Holocaust survivors!
Thursday, February 13, 2014
New survivor testimony added to online archive
In honor of Valentine's Day, this month the Midwest Center for Holocaust Education features three couples who met and married during their time in the ghettos - June and Isaac Feinsilver, Eva and Werner Hartwich, and Kate and Eugene Lebovitz. Each profile includes testimony as well as extensive historical resources relating to each survivor.
Visit the Witnesses to the Holocaust Archive each month for new testimonies throughout 2014!
Wednesday, March 6, 2013
ZIVIA LUBETKIN, 1914-1976
Tuesday, June 19, 2012
Very little time? No problem!
- As part of our look at the Nazi ideology and antisemitism I showed Echoes & Reflections video clips from Lesson 2 (Part 1) which consisted of survivors discussing life before the war in Germany and examples of antisemitism.
- As part of the discussion on Nazi propaganda with emphasis on how Jews represented I showed Echoes & Reflections video clips - Lesson 2 (Part 2) in which survivors talk about their experience with Nazi propaganda.
- When it came to look at the ghettos I showed Echoes & Reflections video clips - Lesson 4 which includes testimony that provides a very thorough look at life in the ghettos. In addition I used the Echoes & Reflections student handouts on "The Ghettos" & "Excerpts from The Diary of Dawid Sierakowiak". There are questions that can be used to guide discussion.
- Finally, in studying Liberation I used Echoes & Reflections video clips - Lesson 8 which covers the topics of liberation and also the DP camps.
Wednesday, February 15, 2012
Poetry in Holocaust Education
That being said, I came upon an interesting book recently which I offer for your consideration. Requiem: Poems of the TerezÃn Ghetto by Paul B. Janeczko. The poems in the volume were written by Janeczko; however, the voices of the poems vary and show us the TerezÃn Ghetto from various points-of-view. For example, Hilda Bartos tells us, in her poem, how TerezÃn changed once the town began to be used as a prison for Jews. SS Lieutenant Theodor Lang speaks in his poem of preparations for a visit by the Red Cross. In most of the poems, we hear the imagined voices of Jews imprisoned at TerezÃn. Tomasz Kassewitz tells, in his poem, about playing chess on Fridays with his friend Willi - until it becomes too dangerous for Willi to socialize with a Jew. Trude Reimer tells of playing the part of a cat in the play Brundibár. Sara Engel tells of her experiences sorting the possessions confiscated from the ghetto’s prisoners. The volume is illustrated with drawings created by inmates of TerezÃn which were discovered after the war ended.
The poems reflect solid research by Janeczko. The Afterword and Author’s Note at the back of the volume provide valuable background information that I would advise reading first. There is an excellent list of sources at the end of the text.
In my view, there are at least two questions worthy of debate concerning Janeczko’s work. First, does this volume of poetry contribute in a significant and valuable way to the canon of Holocaust literature? Second, would Requiem serve as a useful instructional tool with secondary students?
I don’t think I qualify as an expert, but I have read quite a lot of Holocaust literature during the past ten years. I own cabinets full of memoirs, diaries, short stories, novels, and non-fiction history. I can think of some individual poems that I have read about Holocaust topics. However, I can’t recall anyone who has tried to do what Janeczko has done – create a single portrait of a ghetto from the points-of-view of the inmates, Nazi guards, and non-Jewish residents of the nearby town. Original poems from all of these perspectives do not, to my knowledge, exist within the historical record. Therefore, Janeczko had no choice but to create them from his imagination based on extensive research. To answer the first question – yes, I think this volume does make a valuable and interesting addition to the canon of Holocaust literature.
My answer to the second question is also yes. The poems in this volume are excellent examples of free verse poetry and could be used as models in several of the craft lessons I teach in Creative Writing. The book is a lovely example of how poems can be used to create a narrative; in this case they tell the story of people whose lives converged in a particular place but not by chance. The book would be an excellent source of material for students in performance, drama, or forensics courses. How exciting it would be to see a group of students perform an interpretive reading of the poems in this volume! The book is very short – only 89 pages of poems and illustrations. Therefore, this may be a good choice for time-strapped language arts or social studies teachers who want to complement non-fiction Holocaust materials with materials from the fine arts. Art teachers may enjoy studying the illustrations that were created by TerezÃn’s residents. I stated in my first disclaimer that I had not considered teaching the Holocaust in Creative Writing. I think Janeczko's poems create that possibility.
I happened upon Requiem: Poems of the TerezÃn Ghetto by Paul B. Janeczko by accident. I was searching the Johnson County Library for poetry books for use in my Creative Writing classes. However, I think I stumbled over a gem. I am curious for other Holocaust educators to read this book and share what they think about it.
Thursday, February 9, 2012
1942 and the Final Solution - A Course for Educators
Tuesday, February 7, 2012
Here, There Are No Sarahs
Sonia was born Suraleh in Luboml, Poland. She was given the name Sonia when she joined a Russian partisan group because her name would have been “too Jewish” and put her in danger from some of the partisans themselves. Sonia’s story took her from the security of her shtetl to the ghetto to the forests of partisan groups. Eventually she, her husband, and her father experienced the DP camps before they were allowed to immigrate to the United States. She described her experiences clearly, directly, and openly.
Sonia’s experiences touch on many themes: loss of family, being in hiding, resistance, survival, partisan activities and struggles, love, retribution, generosity. She has chance encounters with so many others whose stories are also fascinating to research including:
Rabbi David Baruch, who participated in the one rally for rescue in the nation’s capital;
Eleanor Roosevelt, who visited the DP camp where Sonia and her family were living (select Sonia Orbuch)
Sara and Hayim Fershko, musicians who suffered horrifically in the hands of the Nazis—they were befriended in New York City by Sonia’s husband.
Sonia’s story (using the entire book or specific sections) would give students a view into one survivor’s partisan activities and would help answer questions on Jewish resistance.