Wednesday, April 10, 2013
Teaching about victimization requires context
Monday, July 23, 2012
Making connections in an Olympic year
Monday, May 7, 2012
A teachable moment
We began by examining Dr. Seuss’s political cartoon on page 58, entitled “The Old Run-Around.” It depicts the struggle minorities had in getting war industry jobs. One label in the cartoon reads” Negro job hunters enter here.” One student, who happens to be African-American, sank in his chair and his expression changed from listening with interest to disbelief. I was thinking through how to approach him regarding his change of expression when he raised his hand. When called on, he asked, “If Dr. Seuss had experienced discrimination, why is he using an awful term for African-Americans?” I was surprised by his question, so I asked him to elaborate. In our discussion, I realized that, since the term “negro” has not been in use for many years, and since it isn’t one of the current preferred terms, he assumed that this was an indication that Theodor Geisel was making a derogatory statement about African-Americans.
Fortunately, my schedule permits me taking advantage of teachable moments! I asked the students to talk to parents, grandparents, and any other older relatives or neighbors about these terms before our next class. Many found connections to those living in the 1940s, and we explored discrimination and terminology. When we were ending our discussion, I asked the student who had the initial question about his view on the use of the word “negro,” and he said he understood- it was the accepted, polite term at that time. He volunteered that he learned a lot about his grandmother that he did not know, and others expressed similar sentiments. Even though the original intention was to explore the cartoons as an opening to Holocaust study, we all felt fortunate to have explored the student’s original impression. An unintended subject, but a valuable experience!
Wednesday, March 28, 2012
"Never Again" hasn't held up



Wednesday, December 14, 2011
Concept of the "other"
I teach Sociology, as well as American history. Teaching an elective allows me the freedom to stretch my wings and look at standard history from different angles and through different prisms. I have become enchanted with the concept of “the other.” “The other” is anyone who is not like you. We all create a concept of the “the other” in our heads. When we group ourselves with like-minded people, whether based on performed race, economic status, performed gender, or countless other divisions, we band together because of some form of commonality. We find those whose values we share in some way. We join with others who reinforce our beliefs. Those who don’t share our beliefs are in one way “the other.” It is difficult for us to see the world through the eyes of “the other.” We assume that those we agree with view the world with the same eyes we do, those that don’t must not have anything in common with us. When we walk into a crowded room of people we don’t know, we look for someone that we assume is like us. It is a survival mechanism and quite natural. But it is also very base. By choosing others that we think will share our interests, we are pushing away those that don’t look like they will “get” us, hence we lump them up as “the other.” (As a point of clarification, in Sociology, we discuss the fact that we are all performers, acting out a role. We perform our gender to varying levels: hyper masculinity, as seen on football teams; hyper-femininity, as witnessed on the cheer or dance squads or in modeling; Eminem is a white man who performs black culture. President Obama has been derided as a black man who “acts” white. While culture is somewhat fluid, we must understand that we all “perform” or “act” out certain traits that we wish to personify to fit in to a group. As a white male, I perform to standards that are beyond my control as a father, teacher, role model, and husband.)
When I am teaching the concept of the development of racism to a predominantly Caucasian student base, I explain the difficulty in doing cruel things to someone that I may see as a potential mate, sister, daughter, mother, etc. When I look in the mirror, or at a family portrait, is this someone that could ever be a part of that? If yes, the bar is higher, and it is more difficult for me to minimize their feelings, to do them harm. If the answer is no, though, it is much easier to act without regard to them. They are the embodiment of whatever I am not. The Kansas City Star ran an article about slavery several years ago. In a part of that article, a historian said that if it hadn’t been for African slavery, the English colonists would have enslaved the Irish. I disagree from a sociological perspective. The Irish, with white skin, would not have faced the same brutality or lasted as long in bondage as did blacks. A good history teacher will take me to task on that and describe the conditions in Ireland at the time and the cruelty inflicted. Which will bring me to my next point: The concept of “the other” works best when you have a clear, visible, physiological/physical difference that can be exploited. It can be extrapolated to neighborhoods, class, religion, or any number of culturally created cleavages. Once these cleavages have been identified, they are often exploited.
Building on Dr. Gregory Stanton’s “Eight Stages of Genocide”, we can see the development of "the other" is a process of dehumanization. As much as we attempt to say that we respect all equally, often we place our concept, our values, our norms on others, assuming that what we hold true must be universal. When others don’t share those views, we can marginalize the target. The process of dehumanization is a slippery slope, and we too often engage in it without realizing. It is our duty to help our students guard against this process in everyday life through examples from the past.
Wednesday, March 2, 2011
Dr. Seuss, Hitler and Human Rights

Fortunately, a year ago, a Cadre colleague, Cathy, shared a great text with me- Dr. Seuss Goes to War: The World War II Editorial Cartoons of Theodor Seuss Geisel, by Richard H. Minear. I created a lesson plan about political cartoons for high school juniors and seniors. But, middle school?


The most gratifying comment made in the post discussion was that one can impact many. I was thrilled; teaching our students to want to make a difference is my mission.