Tuesday, February 16, 2010
Connections for Black History Month
Monday, February 8, 2010
Deadly Medicine: Creating the Master Race - Educator Information
400 West Pershing Road
Kansas City, Missouri
Free tours are available for groups in grades 9 and up. Groups of up to 60 students are recommended, but larger groups can be arranged. One adult per 15 students is required. Please allow 1 hour to tour the exhibit. Contact Lori Cox-Paul, Education Specialist at NARA, at 816-268-8017 or lori.cox-paul@nara.gov to schedule at tour. Resources and lesson plans appropriate for use in high school classrooms are available by clicking here.
BUS SUBSIDIES :
Bus subsidies of up to $200 per school are available for high school field trips to Deadly Medicine. Applications received by February 16, 2010 will receive priority consideration. Please complete the following application and submit to MCHE by faxing to 913-327-8193 or mailing to 5801 West 115th Street, Suite 106 ~ Overland Park, KS 66211. Contact Jessica Rockhold at schools@mchekc.org or 913-327-8195 with questions or to discuss your level of need. CLICK HERE FOR BUS SUBSIDY APPLICATION.
SPECIAL EVENTS FOR EDUCATORS:
Educator Training and Preview of the Exhibition
March 10, 2010 ~ 4:30-8:00 ~ National Archives at Kansas City
NEW EXPANDED TRAINING!!!
The evening will include brief remarks by Jessica Rockhold of MCHE and Lori Cox-Paul of National Archives, a presentation by USHMM Regional Educator Renee Kaplan on Eugenics and the Nazi Racial State, lesson plans for classroom use, and a tour of the exhibit before it opens to the public. Light meal will be provided. Please RSVP to Jessica Rockhold at schools@mchekc.org or 913-327-8195 with your name and school contact information by March 5, 2010.
The Complicity of Educators in Nazi Germany
May 12, 2010 ~ 4:30-5:30 ~ National Archives at Kansas City
This presentation by Dr. William Meinecke, historian at the United States Holocaust Memorial Museum, will explore the complicity of professional educators in Nazi Germany, specifically the indoctrination of children. Participants are welcome to stay for Dr. Meinecke's 7:00 presentation on Medical Ethics and Nazi Ideology. Please RSVP to Jessica Rockhold at schools@mchekc.org or 913-327-8195 with your name and school contact information by May 7, 2010.
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Presented by the Midwest Center for Holocaust Education in partnership with the National Archives at Kansas City and in cooperation with the Center for Practical Bioethics.
Thursday, February 4, 2010
Analyzing Holocaust Images: Photographs
Even though this generation has had more images pass by their eyes than any previous one in history, it is still amazing how few of us take the time to stop and really LOOK at what we are seeing.
When discussing the Holocaust, it is particularly important to be able to critically analyze an image. Museum educators at the United States Holocaust Memorial Museum are careful to use the adjective “actual” in front of the word photograph when referring to specific objects in their collection. That seemed odd to me, at first, having taught photography for years. A photo is a photo, right?
But then, I heard a docent on a USHMM tour make an interesting comment in answer to a question about the large photograph of bales of human hair on exhibit near the collection of shoes from Auschwitz. She said “we own the actual bales of hair, and some day, we may have to put them on exhibit as well.” Why? There is a potential “downside” to the wonders of modern technology. If we have so many readily available devices which can simply scan and “recreate” or “doctor” an image, what is to be believed? If a photograph can now be tampered with by any of a number of software tools, how can we know when it represents absolute reality? What truths can then, by inference, be denied if they cannot be proven beyond a shadow of a doubt? Particularly as we draw near to the time when the generation of Holocaust survivors is disappearing, and our second generation (children of survivors) is presenting testimony that is passed down to them, there is more “wiggle room” which could be used as fuel for the fires of Holocaust deniers. “How do I know that photo is real, and has not been Photo shopped or touched up?”
A simple way to analyze photos with your students is to generate a class list to refer to when looking at a photograph. Start with a photographic image (projected, from a print source, or reproduced if it is in the public domain) and 4 columns headed: 1)what I see
2)what this gives me
3)what this is made with
4) possible reasons for making this.
What I see can include “one thing to look at” or “several things to look at” as well as a list of the obvious recognizable items – house, people, fences.
What this gives me might include “memories of,” “questions about,” “answers to . . .,” “a glimpse into . . ."
Expand on a camera for what this is made with. Encourage students to add things like “risks, bravery, hands, eyes, a tripod, a concealed camera” and fold in the formal qualities or elements and principles of design such as types of lines, shapes, colors, shadows, strong implied diagonals, illusions of form.
Finally, under possible reasons for making this be sure and go beyond “because it was someone’s job.” Each time, include a final item in the column that lends itself to the “not clear” category. Open-ended choices such as “I am not sure,” and “something that is very hard to say” will show that artists and photographers are choosing to communicate with colors, shapes, and lines instead of words, reinforcing the power of the image. Weaving in and out of the columns, and guiding with simple questions, can lead to in-depth dialogue that can last several minutes per picture. Reuse and expand your columns over time as you discuss more and more photos.
Resources:
USHMM Photo Archives Online
Thursday, January 28, 2010
Resistance During the Holocaust - White Rose Student Essay Contest Resource

- What does the word resistance mean in the context of the Holocaust? (Although this question is listed first, you may actually answer it last.)
- What are the differences between armed, unarmed, and spiritual resistance? (Do not answer until after reading page 37.)
- What obstacles to resistance did Jews face? (Make sure you can explain each of these – don’t just name them.)
- Describe examples of resistance – the places it happened, the various forms it took, the people who implemented it. You should have notes for each of the headings and subheadings in this largest portion of the book. (For your White Rose essay, you will be choosing one specific person or group of people to focus upon for your research project; this booklet may give you some ideas. Caution! The booklet discusses non-Jews who resisted the Nazis. You must choose a Jewish subject for your White Rose essay.)
Thursday, January 21, 2010
Teaching the Holocaust in Catholic Schools
In 1998, the Holy See published We Remember: A Reflection on the Shoah. Pope John Paul II charged Catholic educators to help our students understand the implications of the Shoah, and the role of the Church in the events. The Pope called on Catholics to repent for sins of commission and for sins of omission for centuries of negative teachings about Judaism that helped allow the Shoah to take place. The National Conference of Catholic Bishops released guidelines for Catholic educators to teach the Holocaust.
Holocaust studies should be taught in Catholic schools, as the role of Catholicism and Judaism are historically intertwined. Pope John Paul II called on members of the Church to understand the consequences of the actions of men, and to not allow it to happen again. Catholic educators are in a position to carry out this mission. Whether in a Social Studies classroom, Language Arts classroom, or even religion classroom, the memory of the Shoah should not fade. Catholic social teachings demand that we care for those who do not have a voice of their own. Let us never again turn our back on another. The teachings of the Church are clear: We are called to witness the cruelty that silence begets. We must not hide from our mistakes as an institution, but learn from it, teach it to our young, and grow as a community.
Resources:
Nostra Aetate
We Remember: A Reflection on the Shoah
Catholic Teaching on the Shoah: Implementing the Holy See's We Remember
National Catholic Center for Holocaust Education
The Holocaust: A Teaching Guide for Catholic Schools
Bearing Witness - Professional Development for Catholic Educators
Resources available in the MCHE Resource Center:
Sister Rose's Passion - DVD
The Longest Hatred - video
Guidelines For Teaching The Holocaust in Catholic Secondary Schools
Catholic Teaching on the Shoah: Implementing the Holy See's We Remember
Thursday, January 14, 2010
Culminating Activity for Elie Wiesel's Night
The Last Days - DVD
First Person Singular - DVD
First Person Singular Teaching Guide
Rebecca's Night Teaching Unit
Monday, January 4, 2010
Using one story to reach your students

A few years ago I had the privilege to travel to
I sat down with my daughter and read her the book I had picked up on my travels. We are not Jewish so I had to explain a few things as we read like synagogues and Yom Kippur, but she was curious about the life of this little girl not much younger than herself. My daughter listened to the story and then came all of the questions. Some I answered and some I didn’t.
This book is written at a level a young person can understand. We learn about Hannah and what her life was like in
What I loved about this book is its ability to be used at many grade levels. Younger students (grades 7-8) can focus on the individual and what she goes through. Younger students can also focus on the story of the family unit. Older students (grades 9-12) can focus on the Jewish community in the book and the impact the Holocaust had on them. High school students can even read this book and see how it fits into the larger framework of the Holocaust.
This book can easily be read aloud to a class in a standard class period. Depending on the grade level, however, some prior vocabulary work might be needed. Students could easily complete a sequence ladder or story frame while reading this book in order to visualize the steps that Hannah is going through. Older students could complete a history frame in order to understand Hannah’s experience in the grand scheme of the Holocaust. Hannah also includes her current address at the end of the book. She invites young people to write to her so she can hear their thoughts on the book or she will answer questions if students have them.