Thursday, January 13, 2011
Essay Contest resources and advice!
Thursday, January 6, 2011
Emotional impressions of A Film Unfinished
I recently had the chance to see the just released movie “A Film Unfinished” at the Glenwood Theatre. Because of my commitment to the subject of the Holocaust I have seen many, many movies on this subject. However, this movie was one of the hardest I’ve ever had to watch.
For those of you that don’t know the movie, it features four film reels that are all titled “Das Ghetto.” They weren’t found all together and the most recent one was Reel #4 found in 1995. Hidden away in an underground vault in East Germany, “Das Ghetto” chronicles 30 days of filming in the Warsaw Ghetto. The film was done by the Nazis to use as propaganda.
After reel #2, I realized that we were going to go through all of the reels, all four of them. I wasn’t really sure that I could sit through all four reels. To watch the black and white footage and realize that you were seeing human beings that more than likely were dead three months after filming was very disconcerting and disturbing. Not to mention the fact that the producer kept showing you four survivors of the Warsaw Ghetto watching the film at the same time you were. The light of the film reflected off their faces as they cried and grimaced at the images that were real to them some 60 years ago.
The most memorable line of the entire film was given by one of these women survivors. As she watched the corpses thrown down a slide into a pit and the Nazi cameraman change position in the pit to get a better angle she said “I can’t watch this now. I’m human now and I can’t watch these scenes.” For the entire 88 minutes of this film you kept thinking to yourself “How could you live in this place and be sane?” or “You would have had to feel like you dropped through a black hole and were without a doubt in hell or in a psychotic state of hell.” The survivor’s statement made me realize that you did go into another dimension in the Warsaw Ghetto and in that dimension you weren’t human. Plain and simple, humans could not have survived this experience. The only way to survive was to morph into an inhuman state.
Tuesday, January 4, 2011
Teaching Anne Frank and the Holocaust while preparing for assessments
In this day and age of testing, it can be very hard to teach the subjects we are passionate about. This is particularly true teaching middle school in Kansas, where students are given the reading assessment in 6th, 7th, and 8th grades. However, it is important for us as educators to still teach those topics that we feel are essential for students going forth in their education. The Holocaust is one subject I feel this way about.
Most middle school students read The Diary of Anne Frank. In many districts, the story (diary, excerpts or the play) is in the language arts textbook. It is possible to teach the key points of the Holocaust while using Anne Frank's story.
Before reading the story, take a class period to explain the major details of the Holocaust. It is hard for students to understand why the Franks are going into hiding when they don't know what was happening in Europe. It is possible to give an overview in one class period and students will start the story with excellent prior knowledge.
In order to tie the subject in with state tested standards, you can teach your unit on persuasive techniques before teaching Anne Frank, and then discuss Nazi propaganda during the unit.
While reading the story, be sure to use context clues to discuss vocabulary and ask questions which require the students to use inference, again tying the story with state standards.
Anne Frank can be an excellent tool for character study and the elements of character which are tested on the reading assessment. Motivations, character changes, environment changing the characters and character drives are all done very well in this story.
If reading the actual diary, it can be a great chance to discuss author's viewpoint and position. As with all stories, plot structure can be analyzed in this story as well.
Personally, I have found it hard to come to terms with the fact that high stakes tests are going to have to take precedence in our classes. However, I have also come to the realization that I can still teach the things I love while also tying those things to assessment goals. They do not have to be taught independent of each other.
Tuesday, December 21, 2010
A helpful resource
- Pre-war Jewish and community life
- Pre-war antisemitism
- The coming of the war
- Daily life in the ghetto
- Deportation
- Auschwitz-Birkenau
- Personal reflection
- Gerda Weissmann Klein (All But My Life)
- Saul Friedlander (When Memory Comes)
- Art Spiegelman (Maus: A Survivor’s Tale, Part I and II)
- Fanya Gottesfeld Heller (Strange ad Unexpected Love, a Teenage Girl’s Holocaust Memoirs)
- Erika Kounio Amariglio (From Thessaloniki to Auschwitz ad Back, Memoires of Survivor from Thessaloniki)
- Solomon Gisser (The Cantor’s Voice)
- Samuel Bak (Painted in Words – A Memoir)
Monday, December 13, 2010
Relating the Holocaust to Other Genocides: A Seminar Series for Educators
Conference Room C
Jewish Community Campus
5801 W. 115th Street
Overland Park, Kansas
These sessions examine Holocaust history as it relates to other modern genocides. Participants will explore the history of the Holocaust and its connections to genocides in Armenia, Rwanda, Bosnia, and Darfur. Analysis of primary source documents, discussions of the stages of genocide and hands on practice with these resources will equip teachers with tools to engage their students in discussions of the relevance of Holocaust history as well as discussions of genocide prevention and awareness. Sessions will feature hands-on work with lesson plans appropriate for 7-12 th grade classrooms with an emphasis on cross-curricular approaches. All sessions will be led by members of the Isak Federman Holocaust Teaching Cadre with oversight by MCHE's Jessica Rockhold.
Schedule of Sessions:
All sessions meet from 4:30-7:30. Educators may sign up for individual sessions or the entire series.
January 12, 2011 - Defining Genocide / Case Study: The Armenian Genocide
These lessons will analyze the definition of genocide and the eight stages of genocide as well as explore resources for teaching the Armenian genocide and its relationship to the Holocaust
February 9, 2011– Genocide and the Power of the Written Word: Diaries, Memoirs and Propaganda
These lessons will feature resources and methods that draw connections among genocide experiences, using primary sources including diaries and survivor memoirs and a detailed unit exploring propaganda in the Holocaust and Rwanda.
March 2, 2011—Choosing to Act: Resisters, Bystanders, Perpetrators
These lessons will explore the responses of various groups to the Holocaust and other genocides, specifically decisions made by bystanders as well as a document-based question on resistance.
April 13, 2011—Memory and Memorialization: Visual Representations of Genocide Experiences
These lessons will explore art from the Holocaust and other genocides as well as memorialization of these events.A registration fee of $15 per session covers a light meal and materials. Registration must be received at least 1 week prior to the session for individual sessions or by January 1, 2011 for the entire series. Optional graduate credit (1 hour) through Baker University will be available for an additional $50 fee (payable to Baker).